Polly Draper achieves a delicate balance in Stella’s Last Weekend, blending real-life family dynamics with a fictional narrative to create an achingly funny exploration of loss. This showcase for her sons Nat and Alex Wolff is a far cry from The Naked Brothers Band, the boisterous Nickelodeon series she created.
Sophie Brooks doesn’t try to reinvent the romantic comedy with The Boy Downstairs, she just takes it out for a little spin around Brooklyn, where her gawky would-be artists stumble into love. The writer/director’s first feature is warmly affectionate and maddeningly vague.
By taking a low-key approach to a high-stress situation, Joshua Tunick turns a familiar romcom premise into a treatise on commitment, using an impending wedding as occasion for his characters to peel away well-manicured identities.
Fiona Gordon and Dominique Abel’s signature style blends screwball and romantic comedy with playful fantasy, but Lost in Paris lacks the magical elements of their previous features (Iceberg, Rumba, and The Fairy, co-directed with Bruno Romy).
The romantic comedy genre requires its heroine to take a leap of faith, and Rama Burshtein takes it a step further in The Wedding Plan. Still single at 32, Michal (Noa Koler) doesn’t feel fully integrated into the ultra-Orthodox Jewish community.