Holy Air isn’t entirely satirical, but the bone-dry wit is breathtaking. Pilgrims to Nazareth seek the lightness of spiritual transcendence, and Shady Srour contrasts them with residents weighed down by everyday catastrophes and paralyzing fears.
If prolific reader Carrie Pilby (Bel Powley) watched romantic comedies the way she consumes books, she might see that her dispiriting year as a recluse was ending and that she’d wandered into a merry and bright fairy tale of New York.
For his surefooted directorial debut, playwright Mark Kemble uses the stifled beauty of snowbound Staten Island to frame the psychological boundaries of a long-suffering family. The sadness weighing down the Kendall family like wet snow on evergreen branches isn’t simply holiday malaise.
For the Rodriguez family, no matter what they do outside the walls of their Chicago home, their most important function is in relation to each other. It doesn’t matter that the children of Eduardo (Alfred Molina) and Anna (Elizabeth Peña) are grown and gone. As
In the chaotic universe of the Vuillards, there’s only one fixed principle: no family secrets. But even with everything routinely exposed and discussed, little gets resolved except during moments of extreme crisis, when outside forces shake the Vuillards out of their languor. One such occasion