This warm-hearted biography of Astrid Lindgren is less about the making-of-a-writer than the formation of the woman who would become the prolific writer of beloved children’s books.
The big ideas swirling through Living in the Future’s Past all boil down to a simple premise: our response to climate change is predicated on environmental ambivalence, especially the cycle of panic and complacency that inhibits thoughtful long-term planning.
In adapting the wartime diaries of Marguerite Duras, Emmanuel Finkiel captures the author’s oblique style, which filters events though a thick layer of ennui, and centers on women who deal with inflicted trauma by torturing themselves.
There’s more enthusiasm than skill on display in Yadvi, a leaden biopic made by sisters Jyoti and Gauri Singh to honor their grandmother Rajmata Yadhuvansh Kumari. They use family history to illustrate the decline of Indian royalty during the twentieth century, when princely states were absorbed into the new democracy.
Miriam Makeba is an artist, a symbol, and a woman in the fractured documentary Mama Africa, but never all three at once. Mika Kaurismäki toggles between these roles in his 2011 biography of the South African singer and civil rights activist.