This warm-hearted biography of Astrid Lindgren is less about the making-of-a-writer than the formation of the woman who would become the prolific writer of beloved children’s books.
In adapting the wartime diaries of Marguerite Duras, Emmanuel Finkiel captures the author’s oblique style, which filters events though a thick layer of ennui, and centers on women who deal with inflicted trauma by torturing themselves.
The feverish pace of Gilles de Maistre’s The Quest of Alain Ducasse reflects its indefatigable subject, the French chef with a global presence. For eighteen months, de Maistre followed Ducasse to the outposts of his food empire.
The wistful longing of discontented Japanese salarymen in Shall We Dance? is absent from the bracingly funny Oh Lucy! Setsuko (Shinobu Terajima), an office lady tugging at her restrictive white collar, bubbles with anger and resentment.
Miriam Makeba is an artist, a symbol, and a woman in the fractured documentary Mama Africa, but never all three at once. Mika Kaurismäki toggles between these roles in his 2011 biography of the South African singer and civil rights activist.