This live-action reworking of Hans Christian Andersen’s The Little Mermaid is devoid of social or political undercurrents and untethered from recognizable reality – precisely the kind of fantasy film that should appease moviegoers critical of how the Marvel universe or the Star Wars series get too close to reality.
Documentarians Kate McIntyre Clere and Mick McIntyre take fellow Australians to task for their treatment of kangaroos, the free-roaming indigenous animals that elicit loathing as much as wonderment.
Is Maya Dardel serious? The regal Lena Olin plays her with frank ferocity and arrogant certainty, but so much about the grandiose poet borders on parody. Co-writers and directors Magdalena Zyzak and Zachary Cotler originally called their elegant, irksome film A Critically Endangered Species.
Anyone who’s worked in food service will attest to the copious amount of waste generated at every meal. Directors Anna Chai and Nari Kye begin their debut documentary with some bad news: that’s just the tip of the iceberg lettuce.
There’s a glorious tension in Vincent Van Gogh’s paintings, the thick paint holding each of the artist’s gestures like an insect in amber, and the long-hardened material still appearing to shiver and pulse. Animators Dorota Kobiela and Hugh Welchman free that contained movement.