This warm-hearted biography of Astrid Lindgren is less about the making-of-a-writer than the formation of the woman who would become the prolific writer of beloved children’s books.
Director Steve Loveridge has been a friend and collaborator with the rapper M.I.A. since they met as film students, but what saves his first documentary Matangi/Maya/M.I.A. from the pitfalls of an adoring, glossed-over portrayal is the simple decision to take her seriously.
In adapting the wartime diaries of Marguerite Duras, Emmanuel Finkiel captures the author’s oblique style, which filters events though a thick layer of ennui, and centers on women who deal with inflicted trauma by torturing themselves.
Sophie Brooks doesn’t try to reinvent the romantic comedy with The Boy Downstairs, she just takes it out for a little spin around Brooklyn, where her gawky would-be artists stumble into love. The writer/director’s first feature is warmly affectionate and maddeningly vague.
Miriam Makeba is an artist, a symbol, and a woman in the fractured documentary Mama Africa, but never all three at once. Mika Kaurismäki toggles between these roles in his 2011 biography of the South African singer and civil rights activist.