Polly Draper achieves a delicate balance in Stella’s Last Weekend, blending real-life family dynamics with a fictional narrative to create an achingly funny exploration of loss. This showcase for her sons Nat and Alex Wolff is a far cry from The Naked Brothers Band, the boisterous Nickelodeon series she created.
Documentarians Kate McIntyre Clere and Mick McIntyre take fellow Australians to task for their treatment of kangaroos, the free-roaming indigenous animals that elicit loathing as much as wonderment.
The intoxicating A River Below contains elements of immersive nature documentaries and shocking wildlife exposes, but director Mark Grieco’s profile of two driven conservationists tells a more slippery tale.
In Spanish director Cesc Gay’s unsentimental weepie Truman, the passage of time becomes pliable. Tomás (Javier Cámara) arrives in Madrid with a deadline: four days to convince his oldest friend Julián (Ricardo Darín) to resume treatment for the lung cancer that’s spread throughout his body.
In his atmospheric debut film, Simon Stone whittles down The Wild Duck into a cautionary tale about welcoming home an emotional exile. While stage adaptations of Henrik Ibsen’s tragicomedy often emphasize its farcical elements, Stone sticks to tragedy in his naturalistic version.