In adapting the wartime diaries of Marguerite Duras, Emmanuel Finkiel captures the author’s oblique style, which filters events though a thick layer of ennui, and centers on women who deal with inflicted trauma by torturing themselves.
The feverish pace of Gilles de Maistre’s The Quest of Alain Ducasse reflects its indefatigable subject, the French chef with a global presence. For eighteen months, de Maistre followed Ducasse to the outposts of his food empire.
Focusing on Billy’s vulnerability as much as his flamboyance (Alex Lawther handles both with aplomb), Trudie Styler charts his hard-won maturation with sobering insights into his warring parents and fellow students cowed into obedience.
Emanuele Della Valle’s choppy feature debut has the visual markers of noir, using the autumnal gloom of desolate coastal communities south of Atlantic City to express the isolation and bone-deep sadness of his characters.
In Fiona Tan’s glorious ode to a Japanese volcano, Mount Fuji is both geological marvel and malleable symbol, its solidity and grandeur inspiring conquest and contemplation. Fuji stands as one of the world’s great backdrops, appearing in countless snapshots from the introduction of photography.