Demi Moore and Alec Baldwin last starred together twenty years ago. When they were bankable movie stars, both actors added subversive elements to their conventional roles, Moore revealing the steel spine of underestimated women, Baldwin injecting hissing menace into stalwart men.
If prolific reader Carrie Pilby (Bel Powley) watched romantic comedies the way she consumes books, she might see that her dispiriting year as a recluse was ending and that she’d wandered into a merry and bright fairy tale of New York.
Katie Holmes’ directorial debut, All We Had, could be called It’s Going to Be Okay, the mantra of its downtrodden but resilient characters. Screenwriters Jill Killington and Josh Boone extract a hopeful, we’re-all-in-this-together storyline from Annie Weatherwax’s first novel.
For his surefooted directorial debut, playwright Mark Kemble uses the stifled beauty of snowbound Staten Island to frame the psychological boundaries of a long-suffering family. The sadness weighing down the Kendall family like wet snow on evergreen branches isn’t simply holiday malaise.