The small tobacco farm in East Bend, North Carolina where Angus MacLachlan filmed the lean, elegiac drama Abundant Acreage Available is a vision of bygone rural life, a contained microcosm where hard work and self-reliance could sustain a family for generations.
There’s a glorious tension in Vincent Van Gogh’s paintings, the thick paint holding each of the artist’s gestures like an insect in amber, and the long-hardened material still appearing to shiver and pulse. Animators Dorota Kobiela and Hugh Welchman free that contained movement.
The directors and the subject of the combat documentary Danger Close prize determination over introspection, turning this firsthand account of modern American warfare into a found-footage action film.
Katie Holmes’ directorial debut, All We Had, could be called It’s Going to Be Okay, the mantra of its downtrodden but resilient characters. Screenwriters Jill Killington and Josh Boone extract a hopeful, we’re-all-in-this-together storyline from Annie Weatherwax’s first novel.