In adapting the wartime diaries of Marguerite Duras, Emmanuel Finkiel captures the author’s oblique style, which filters events though a thick layer of ennui, and centers on women who deal with inflicted trauma by torturing themselves.
The feverish pace of Gilles de Maistre’s The Quest of Alain Ducasse reflects its indefatigable subject, the French chef with a global presence. For eighteen months, de Maistre followed Ducasse to the outposts of his food empire.
There’s a glorious tension in Vincent Van Gogh’s paintings, the thick paint holding each of the artist’s gestures like an insect in amber, and the long-hardened material still appearing to shiver and pulse. Animators Dorota Kobiela and Hugh Welchman free that contained movement.
Fiona Gordon and Dominique Abel’s signature style blends screwball and romantic comedy with playful fantasy, but Lost in Paris lacks the magical elements of their previous features (Iceberg, Rumba, and The Fairy, co-directed with Bruno Romy).
The can-do optimism of Tomorrow (Demain) sets it apart from other documentaries about the environmental crisis. Mélanie Laurent (Breathe) and Cyril Dion sought out creative problem-solving around the world and in their native France, where their film won a César Award.