Holy Air isn’t entirely satirical, but the bone-dry wit is breathtaking. Pilgrims to Nazareth seek the lightness of spiritual transcendence, and Shady Srour contrasts them with residents weighed down by everyday catastrophes and paralyzing fears.
If prolific reader Carrie Pilby (Bel Powley) watched romantic comedies the way she consumes books, she might see that her dispiriting year as a recluse was ending and that she’d wandered into a merry and bright fairy tale of New York.
For his surefooted directorial debut, playwright Mark Kemble uses the stifled beauty of snowbound Staten Island to frame the psychological boundaries of a long-suffering family. The sadness weighing down the Kendall family like wet snow on evergreen branches isn’t simply holiday malaise.
Bridget Jones is a lovable goofball. Clumsy, pudgy, lacking inner poise, apt to say the wrong thing and do something inappropriate just when she most wants to make an impression, she’s imperfection personified.