With the vivid historical drama Viceroy’s House, Gurinder Chadha accomplishes two goals: presenting the viewpoint of people affected by the machinations of a powerful ruler, and portraying Lord Mountbatten in a different light.
Maurice is the overlooked middle child in Merchant Ivory’s trio of E.M. Forster adaptations, sandwiched between the lighthearted mainstream hit A Room With a View (1985) and the prestigious critical juggernaut Howards End (1992). Thirty years later, Maurice has aged quite well.
In their cozy remake, director Gillies Mackinnon and screenwriter Peter McDougall take a less screwball approach to the source material: Compton Mackenzie’s 1947 novel and the real wartime wreck that inspired it.
Bridget Jones mines the riches of embarrassment. Her gaffes, blunders, stumbles, and pratfalls provide the laughs in the atypical romcoms built around her, films that rely heavily on the comedy of idiosyncrasy.
A flighty Peter Pan meets his grounded Wendy in Copenhagen, Mark Raso’s tender romance about the sliding scale of maturity. William (Gethin Anthony) finds an eager guide in Effy (Frederikke Dahl Hansen), who’s as calm and perceptive as he is rash and inconsiderate.