Beware the Serena who is too serene. The title character in novelist Ron Rash’s backwoods gothic is a decisive, collected queen bee, her serene highness of retribution and murder. It’s a great role for the Jennifer Lawrence of Winter’s Bone, whose fierce intelligence, quiet strength,
Solitary boys find unlikely companions in The Red Balloon (1956) and White Mane (1953), two gorgeous fables from French filmmaker and photographer Albert Lamorisse (1922-70). Long out of circulation, these shorts have been lovingly restored under the supervision of Lamorisse’s son Pascal, who appears in
The shiny, commercial face of animation – those big-budget, family-oriented, computer-generated spectacles – represents only a small part of the picture. Much of animation’s creative spark comes from the underground, where art is made for art’s sake and the brothers Quay are heroes. Twins Stephen
With Peace, Love & Misunderstanding, director Bruce Beresford returns to the comedic family dysfunction of Crimes of the Heart and Rich in Love, albeit without Beth Henley or Alfred Uhry. First time screenwriters Christina Mengert and Joseph Muszynski create a host of stereotypes, providing each
From the first moments of Goodbye to All That, when Otto Wall (Paul Schneider) is jogging past vibrant autumn foliage to the strains of a Haydn piano concerto, Angus MacLachlan’s directorial debut feels like a 1980s Alan Alda dramedy (The Four Seasons, A New Life).